An Atlanta musician |
||||||||
Trumpet |
|
![]() Folk/rock/filk |
||||||
Current News |
Bio highlights |
|
I came up through the school band and church choir
traditions. I took lessons on trumpet and piano, then spent a year
studying composition and theory in college.
In high school I got the wonderful opportunity to do arrangements for ensembles within the band. The end result was a complete four-movement symphony premiered in 1987. In the same year, I had a local choir perform an original anthem. The first wedding I played was my sister's when I was twelve years old. By that time I'd already gotten to be a regular on Sunday mornings playing along with hymns. In the late 1980s the New American Shakespeare Tavern first opened. This was to become a large part of my life. Aside from opening my eyes to theatre, it got me involved in many of the staff functions. Ultimately they did put me on stage in my special role of "trumpet player with no lines". Once or twice I've also been a backup musician for the role of "guitar player with no lines". In the late 1990s I started going to fringe folk circles. They
proved an appreciative audience, so I started doing a lot more writing
and a lot more singer/guitarrist work. That led to doing a
self-produced CD, which is a good step toward doing a studio CD. It
also led to playing on several other artists' recordings (see trumpet for details). Around the same time I met Blaise Ziemian in a holiday pickup
band. We began playing as a duo and often add a drummer, becoming
the bands Baby Boom and Pinstripe. That led to meeting the people that became the After Hours Quintet. A referral from one of those players involved me with the nascent Cool Note Jazz Orchestra. |